Hans Theys is a twentieth-century philosopher and art historian. He has written and designed dozens of books on the works of contemporary artists and published hundreds of essays, interviews and reviews in books, catalogues and magazines. All his publications are based on actual collaborations and conversations with artists.

This platform was developed by Evi Bert (M HKA / Centrum Kunstarchieven Vlaanderen) in collaboration with the Royal Academy of Fine Arts in Antwerp (Research group Archivolt), M HKA, Antwerp and Koen Van der Auwera. We also thank Idris Sevenans (HOR) and Marc Ruyters (Hart Magazine).

Walter Swennen

(c)Walter Swennen, photo: M HKA, 2021
Zij die hier zijn zijn van hier, 2006
Painting , 40 x 50 cm
Acryl op doek

A poet before he became a painter, Walter Swennen is known for his radical, experiential, and associative approach to painting. Language plays a vital role in his artistic practice, as evidenced in the painting Zij die hier zijn zijn van hier (Those who are from here are from here), which is both a written painting and a painted text. The ambiguity extends to the text, with the clear, slogan-like message becoming much less straightforward after several readings. Who are ‘those’?

Following four murders that took place in Belgium in the first months of 2006, several musicians, including Tom Barman of the band dEUS, organised free music festivals across the country on 1 October under the title 0110. The Antwerp festival took place in Gedempte Zuiderdokken (where the museum is located), uniting 40,000 visitors against racism, extremism and violence and promoting a message of tolerance. The right-wing populist political party Vlaams Belang felt that the festival targeted them and organised its own counter-festival. Several visual artists joined forces in an exhibition entitled Mute in solidarity with the 0110 festival, for which Swennen created this painting.